Derecho viejo (1916)

“Derecho viejo” is a 1916 tango composed by bandoneonista Eduardo Arolas. The title, as it was often the case in those days when copyrights did not exist, was chosen in honor of those to whom the piece was dedicated, in this case a group of law students.

According to an interview with musicologist Rafael Tuegols, published in the magazine Cantando in 1948, “Derecho viejo” was first performed at the cafe La Morocha where Arolas used to play for a crowd of workers from the brick kiln of the Parque Centenario.

Like many other compositions by Eduardo Arolas, “Derecho viejo” is structured in a way which allows for rich arrangements. It has been recorded countless times by various orchestras and solo artists from Julio de Caro and Francisco Canaro, to Juan d’Arienzo, Francini-Pointier, Nelly Omar, Astor Piazzolla and many others including contemporary orchestras. It has become one of  the best known pieces of the repertoire along with “La Cumparsita” and “El Choclo” and is commonly featured in tango shows. There unfortunately are no  recordings of it by Eduardo Arolas.

Though “Derecho viejo” is almost exclusively known as an instrumental theme, it is good to know that two sets of lyrics were written for it many years after its creation. The first one was written by Andrés Baldesari and recorded by the Orquesta Típica Victor with estribillo by Teófil Ibáñez in 1934.

Usted sabrá que cuando el amor comienza a taconear sentimientos en el pecho, la dulce tentación, sentimos sed de amar, de amar de corazón!

Y yo tambien amé con gran passión, amé con gran delirio, y coseché martirios, porque un padecer me brindó esa mujer que fue mi perdición!

The second one was written by Gabriel Clausi shortly before the 50th anniversary of Eduardo Arolas’s death and was officially registered in order to extend the copyright on “Derecho viejo” by the composer’s successors. This version was recorded by Nelly Omar accompanied by guitars in 1979.

Tango de mi ciudad, malevo y sensual, cayengue y triston, color de arrabal. Señor de salon, tienes emoción de noche porteña.

“Derecho viejo” is the title of a 1951 movie by Manuel Romero, inspired by the life of Eduardo Arolas.

____

[1] Del Priore, Oscar, and Irene Amachástegui. Cien tangos fundamentales. Buenos Aires: Aguilar, 1998. Print.

[2] Tango: Cien anos de historia (Vol. III). Buenos Aires: Editorial Perfil, 1992. Print.

 

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