Evaristo Carriego was a poet of minor importance of the early 1900’s. His name became associated to the origins of tango through the work of Jorge Luis Borges who saw in him the inventor of a style of urban poetry which is at the root of tango. Though Carriego was never a famous author nor a man of tango, his name today has a tremendous power to evoke the spirit of the city, the mythical neighborhoods of Buenos Aires and the essence of tango itself.
Evaristo Francisco Estanislao Carriego was born in the province of Entre Rios in 1883. When he was four-years-old his family moved to Buenos Aires, to the house on Honduras street where Evaristo grew up and lived until his death in 1912.
This neighbourhood where Carriego spent his life, late 19th centruy Palermo with all it’s roughness, home of poor uprooted immigrants, cuchilleros and compadritos, bajofondo and birthplace of tango, this is the universe in which Carriego lived, loved and found poetry.
Little is know about his life besides what Borges wrote about him.  Borges knew Carriego personally in his youth as a neighbor and a friend of the family.  His father used to hang out with the poet and Borges was strongly impressed by his presence and deeply touched by his depictions of the Buenos Aires he knew if his childhood.
According to Borges, Carriego used to hang out in literary cafes. Very sentimental and introvert. lived of simple thing everyday nothing fancy and was the first to discover the poetic potential of. Themewich remained present in tango.
discover the beauty and poetry in rough neighbourhood of Buenos Aires at the turn of the 20th century. His poetry was born of the simple reality of life in a fast growing city. just like the tango it is a testimony of the genesis of Buenos Aires and opened the way to style of poetry and themes which would become constant in tango from Angel Villoldo to Homero Manzi and Horacio Ferrer. Everyday like in the rough neighbourhood, the malevos, cuchilleros and compadritos, the organito and of course, women.
Carriego died of tuberculosis in 1912, at age 29, leaving one published book Misas herejes. El alma del suburbio and La canción del barrio which contained poetry he is known for today were published after his death.
The house where he lived on Honduras street was bought by the city of Buenos Aires in 1977 to host a museum and library. La Bibliotheca Evaristo Carriego was opened to the public in 1981 and became home to over 5 500 documents in print and electronic formats including various collections of poetry. It closed in 2013 for renovations and unfortunately remains closed to this day. 
Other tributes to this mythical character of tango history include a piece by Astor Piazzolla entitled “Milonga Carrieguera” and a tango by Eduardo Ravira, “A Evaristo Carriego”, recorded by Pugliese in 1969. There is a street in Palermo named after him. π
 Borges, Jorge Luis. Evaristo Carriego. Buenos Aires. Emece, 1989. Print.
 Ordenan reconstruir la casa donde vivio Evaristo Carriego. La Nacion, March 27, 2014. Online. http://www.lanacion.com.ar/1675640-ordenan-reconstruir-la-casa-donde-vivio-evaristo-carriego ⇑
 Borges, Jorge Luis. El tango: cuatro conferencias. Buenos Aires. Sudamericana, 2016. Print.
 Domingo, Luis Hernández. Frontera, llanura, patria: Un otro Borges. Anales de la Literatura Hispanoamericana, 1999. 28: 731-744. Online. https://dialnet.unirioja.es/servlet/articulo?codigo=52363