Evaristo Carriego was an obscure young poet of the early 1900’s. His name became associated to the origins of tango through the work of Jorge Luis Borges who saw in him the creator of the urban style of poetry now associated to tango. Though Carriego was never an acclaimed writer nor a man of tango, he became legend and his name gained the power to evoke the spirit of the city, the old neighborhood and the mysterious root and essence tango itself.
Evaristo Francisco Estanislao Carriego was born in the province of Entre Rios in 1883. His family moved to Buenos Aires when he was only four-years-old. The Evaristo Carriego house on Honduras street is where Evaristo grew up and lived until his death in 1912.
Living in late 19th centruy Palermo, Carriego witnessed all of the roughness of life in a neighbourhood populated by poor uprooted immigrants. The cuchilleros and the compadritos, the organito and the so deeply regretted woman, all of these elements now associated to the mythical bajofondo and birthplace of tango were his universe. It was the reality that amazed him and inspired him to write poetry.
Little is know about the life of Evaristo Carriego besides what Jorges Luis Borges wrote about him.  Borges knew Carriego personally as a neighbor and a friend of his father.  He remember being strongly impressed by the presence of the poet and was deeply touched by his depictions of the Buenos Aires he knew in his childhood.
According to Borges, Carriego was a very sensitive and introvert young man. He used to hang out in literary cafes and marveled at simple facts of everyday life. This plain and simple observation of an humble man’s life in his ordinary and often merciless urban environment became a constant thread of tango poetry. It remains present and continues to build up and evolve through the works as many other authors from Angel Villoldo to Homero Manzi and Horacio Ferrer.
Evaristo Carriego died of tuberculosis in 1912 at age 29. In his short lifetime he left one published book entitled “Misas herejes”. “El alma del suburbio” and “La canción del barrio” where he develops the themes he is known for today were published after his death.
The house where he lived on Honduras street was bought by the city of Buenos Aires in 1977 to host a museum and library. La Bibliotheca Evaristo Carriego was opened to the public in 1981 and became home to over 5 500 documents in print and electronic formats including various collections of poetry. It closed in 2013 for renovations and remains closed to this day. 
Other important tributes to the poet include a piece by Astor Piazzolla entitled “Milonga Carrieguera” and a tango by Eduardo Ravira, “A Evaristo Carriego”, recorded by Pugliese in 1969. There is a street in Palermo named after him.
 Borges, Jorge Luis. Evaristo Carriego. Buenos Aires. Emece, 1989. Print.
 Ordenan reconstruir la casa donde vivio Evaristo Carriego. La Nacion, March 27, 2014. Online. http://www.lanacion.com.ar/1675640-ordenan-reconstruir-la-casa-donde-vivio-evaristo-carriego ⇑
 Borges, Jorge Luis. El tango: cuatro conferencias. Buenos Aires. Sudamericana, 2016. Print.
 Domingo, Luis Hernández. Frontera, llanura, patria: Un otro Borges. Anales de la Literatura Hispanoamericana, 1999. 28: 731-744. Online. https://dialnet.unirioja.es/servlet/articulo?codigo=52363